The first six episodes of Amazon’s new version of THE TICK hail from the character’s original creator Ben Edlund, and they are amazing.
Voice of Darth Maul (and essential player on Edgar Wright and Simon Pegg’s SPACED), Peter Serafinowicz plays the titular tick. And the co-host of Blank Check With Griffin And David, one of the greatest podcasts of ALL TIME, Griffin Newman plays Tick’s sidekick, Arthur. In an outstanding, statement-of-intent performance, Newman laces his character with beautiful layers of vulnerability and fragility, as he battles mental illness and grief, and struggles with the notion that he might actually be a superhero. His twitchy sensitivity plays perfectly against Serafinowicz’s boomingly cheerful hilarity and positivity. They’re a double act for our times, representing the strobelike oscillation many of us have suffered throughout this year, bouncing between the emotional likes of Taylor Swift’s “I got smarter, I got harder in the nick of time,” and Newman’s tremulous, heartbreaking, not-at-all-convincing, “I’m a really together person.” Let’s face it: We’re all Arthur right now, and we all need a Tick to show us the way.
The show is a goddamn delight, full of hundreds of throwaway zingers, some slicing observations, and some excellently named villains (The Terror, Overkill… Lint…). It’s bright, bold, beautiful, warm, compassionate, heartbreaking and sensitive in its handling of mental illness… and still really funny. It’s a tonal masterpiece, bouncing merrily along its high wire and never missing a step. The show opens with Newman’s Arthur struggling hard to just function at all, and ends (this half of its season) with a jaw-droppingly brilliant joke that leaves you cracking up as the credits roll. In between, The Tick rolls deep through genuine emotions while slinging jokes like ninja stars.
It’s not just Newman and Serafinowicz who excel. Valorie Curry is quite frankly extraordinary as Arthur’s paramedic sister Dot. She combines razor-sharp Friends-era Jennifer Aniston comedic chops with Mulholland Drive-era Naomi Watts emotionality, in a fresh, utterly present performance that’s feisty and magnetic. Jackie Earle Haley is in monstrously villainous form as Arthur’s nemesis The Terror, and Yara Martinez brings an unexpectedly empathetic streak to the super-evil electro-fingered Lint.
For such a quirky show, it’s directed as though it’s the Dark Knight, in full 2.40:1 ultra-widscreen, and with genuinely amazing cinematography. This is not a surprise, since Christopher Nolan’s DARK KNIGHT trilogy DP Wally Pfister directs the opening episodes, and sets the tone: super-sharp visuals that simultaneously elevate and ground the material. Spending time and money on making the show look so good pays off tremendously, and gives the cast a powerful environment to play against. Also, the sentient A.I. Danger Boat (it makes sense when you see it) looks and sounds like something out of a Marvel movie.
THE TICK is essential viewing. Get yourself some Amazon Prime, and watch these first six episodes. It’s unlike anything else on TV, and Newman is the hero we didn’t know we needed… but who we really f**king needed. As an actor he’s achieving his dream, and in this role he shows us that maybe we can all achieve ours.