That Fringe-shaped hole in your TV world is about to be more than filled with ALMOST HUMAN, a show that might just be the purest display of high-octane sci-fi ever to hit the small screen.
The pilot episode, penned by former FRINGE showrunner J.H. Wyman and produced by sci-fi uber-titan J.J. Abrams (FRINGE, PERSON OF INTEREST, REVOLUTION, SUPER 8, STAR TREK, STAR WARS), is a fiercely gritty introduction to the police procedural world in 2048. Cops are partnered with androids, and programmable DNA is the target of choice for the future-tech criminals they chase down.
The pilot accomplishes more than most first seasons. Wyman’s world-building is precise, deep and always on the fly. It’s a world of constant motion. This is kinetic sci-fi of the highest order. And it’s all driven by character and emotion, memory and loss; every piece of tech, every cool idea, is serving the story. Wyman’s great skill is to introduce us to multiple strata of the world, as well as our two lead characters: Kennex, the embittered cop struggling with the continued fallout of a mission gone wrong, and his partner Dorian, a “synthetic” who is programmed to feel. They both have something to prove, and almost certainly something to hide.
Their relationship is the cornerstone of the show; it all depends on their arcs, their dialogue, their chemistry. Wyman’s script does a stellar job making all this completely naturalistic, and the two actors, a fantastically grizzled Karl Urban and a smoothly assertive Michael Ealy, trade hard-bitten noir-ish lines with ease.
That combination of sci-fi noir and androids programmed to seem human unavoidably calls to mind the ur-text of this genre: BLADE RUNNER. To its extreme credit, ALMOST HUMAN is never derivative, but doesn’t shy away from the resonances either. Indeed, it richly plays with our expectations by giving us just enough to wonder if Kennex is as human as he seems (read EW’s excellent breakdown of this theory).
The sci-fi in the show serves the story entirely; and simultaneously the story couldn’t exist without the tech that drives it. That’s why this is pure sci-fi, the very best kind: emotion, action, concept, heart and character are all the same here.
It’s an outstanding pilot episode, one that holds a tremendous amount of promise for the rest of the season.